2024 Less Weird Exchange

2020 * 2021 * 2022 * 2023 * 2024Music Exchange Guidelines

 

 

Here is our playlist for 2024:

 

01: January: The Eleven-Sixty Fours – Wallop The Wurlitzer

It’s another installment of Old Guy DIY. Five Inches! Six Songs! Nine Minutes! All The Eleven-SixtyFours, and then some. On the whole, I’m quite happy with the results, and while I’m sure it could be even shorter if I tried, perhaps you will forgive the almost 10 minutes of your time, and turn this one up as loud as you can.

The phrase “Wallop The Wurlitzer” is slang for, “playing bass in a combo,” coined by George Lefferts in the early 50’s. Lefferts was pulp and radio writer, who specialized in Science Fiction, daytime soaps, and “noir lite,” stories of everyperson type characters who find themselves in a situation where clever dialog and being charming manage to help them solve the crime, and usually, get a date, too. He wrote for Frank Sinatra, when he stared in “Rocky Fortune” on the radio.

While it is true, bands would often set up near the jukebox at clubs, and therefore, the “Wurlitzers” would get a fair amount of punishment from the performers, that is certainly a later meaning, and one that may well still be in use now, though it’s not usually a Wurlitzer Jukebox anymore, but some other kind, usually a digital brand with access to the web.

However, at the time Lefferts coined the phrase, Wurlitzer was not yet making jukeboxes, and instead, were better known for their pianos and, in the early 50’s, electric organs, very popular instruments in jazz combos. Because they explored similar sonic territory, the bass player was often standing near the Wurlitzer Organ when they were on stage. And, since bass players were standing and had a fair amount of animation to the way the instrument moved when they played – compared to the largely stationary Organ next to it – from the audience, it might look like the bass is pummeling the organ.

 

02: February: Jesus Christ Superstar by Andre Kostelanetz (by Sentimental Witches)

From the accompanying Press Release:

“Certainly one of the most influential artists ever on The MVM is Andre Kostelanetz. His influence can be heard in all of our work, coursing like blood through the flesh of The Residents draped over the bones of Kadri Gopalnath, and then into the thalamus of John Zorn, all wrapped in the skin of The Damned.
And that smile? The teeth glow like White Light/White Heat radiating out from within lips forming a ring of pure Amine β.
So, imagine our incredible honor when Andre agreed to mentor us while we were studying musick at UCB! He was not faculty but was glad to meet with us regularly in his final years to help develop our scoring and arranging skills. He was a genius and a true gem of a soul. We miss him terribly. It was he who introduced us to the enigmatic and equally influential Nestor Senada, who took us under his wing for our philosophy masters a few years later.
On his death in 01979, we happened to have several demos that Andre was working on in our home, studying them at his behest. When we reached out to his estate about returning them, they told us they had no value, as his work was no longer commercially viable.
Fast forward almost 40 years, and there we are, a coven shattered and diminished by the nightmare of the Black Massacre that birthed us, hunched grotesquely over an old reel to reel machine as we digitized our library of unmarked boxes of sounds.
What should we find?
One of Andre’s recordings that he gave us to study! He was working with his symphony on a tenth anniversary recording of Jesus Christ Superstar that he hoped to release in 01981. His tragic death in 01979 prevented this.
We, however, celebrate his memory with this Valentine’s Day sharing amongst friends of a lost work by one of our heroes.”

 

03: March: Cyveiliog

Every unpredictable and certainly our most unusual member of our group, here’s 30 Minutes of new tunes by Cyveiliog, on tape, just in time to get you through the rest of the year. Mixing acoustic performances and drones into unusual songs, this release is similar to their previous cassettes, too. There’s a little something for everyone, but at the same time, it’s very much its own thing that can’t be replicated any other way. Sit back and enjoy!

 

04: April: BlackBroom

Folky witchy punk, acoustic and accordion. One woman project.

 

05: May: Mini-Mutations – What’ll They Think of Next? EP

Electronic tunes with samples instead of vocals. While this group often takes many forms, this time around, it’s our effort at dance music? Sort of… Combining futurist thinking, drum-machine sensibilities, and a lot of commentary on the phones in our very pockets, this disc well make you dance and make you think, and that’s all we really want out of our music, right?

 

06: June: /root_DIR – Never Stop Shitting EP

Hardcore heroes /root_DIR offer eight songs about a certain habit that everyone has, but no one talks about. Some of these songs are old. Some are new. But all of them are from the duo who never change… their shorts… until it is too late. This one comes with a nice sticker, for your skateboard or car.

 

07: July: Clodewerks – Draftwerks

Five new drafts from Clodewerks, our resident horn player who has been working on tunes in a variety of genres for a number of years. Just under 20 minutes, this disc offers a few different meditations on songs that are in production, by Clodewerks, in a more conventional vein. (They have done a lot of jazz and improvisation in the past.) Drums, bass, and other elements offer a bass for their horn playing, and it is hypnotic, engaging, and fun!

 

08: August: Primer Green – Jams EP

Solo Punk Demos by a loud musical ham. Primer Green is a chance to let humor and music mingle, where bass guitar and singing mix to create a stripped-down musical experience. The jokes are obtuse. The songs are rough drafts. It’s how Primer Green does their thing. Sit back and enjoy.

 

09: September: Tom Carey

 

10: October: Obadiah Baird

 

11: November: Alex & Jen Carmichael

 

12: December: Atrus Flandorffer / Tethys

Tethys is an American multi-instrumentalist and live performer of industrial rock and electronic music. He creates handmade instruments that he uses in his performances and recordings.  His other works include film scores, sound design, video production, and other visual artwork. He is currently based in Eugene, Oregon.

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