Facebook Post: 2020-03-29T12:30:48

Marla and I are having a quiet lunch date, so we can watch this film, that I’ve been looking forward to. If you go to salemcinema.com and rent one of their selections through the links they provide, the money goes to support Salem Cinema (Salem, OR), which is important. You can’t find movies like this without theaters like this. So, why not take a few mushrooms this afternoon? We are.

Facebook Post: 2020-03-28T07:17:21

Okay, a lot of us are music nerds, but here’s a question I’m very curious about: favorite compositional music in the style of classical? Stravinsky or Bartók really do it for me as a listener, but there are hours and hours of compositions by people that I just don’t know, and have no experience with. Sometimes I turn on the classical radio just to hear something a little different, but I have no idea what I’m looking for (or who I should check out) in this area.

Anyone got any recommendations?

Facebook Post: 2020-03-26T19:05:49

Cottage Grove High School allumi, early-‘90’s Edition: Help me fill in the gaps in this Theater Prop anecdote.

What I remember:

This painting was a prop for a play that I worked on in High School. I was a wanna-be theater kid, and I hung out with the crew that put on plays, largely as a way to make friends. I only ever made it on stage in one play, an adaptation of Wells, “The Time Machine.” But for all other plays, I did all backstage work: props, foley, set building, etc.

The particular gag with this prop is that it was added to every night, as part of the play. (There were a few of these “paintings,” but I only got the one.) The play was a bit of a farce, so the painter was an eccentric artist who would throw paint on haphazardly. Another gag is that he would paint for a moment, re-evaluate his work, turn the painting 180 degrees, and keep going.

More details, like who was in it, and the play itself, are lost to me. All I remember is that I helped with the play, and either walked off with this painting afterwards, or negotiated with the crew to keep it. I should add that I had nothing to do with the painting or making of this prop; I think I was doing off-stage sound FX and foley for this play. I just really liked the painting, and kept it.

It’s been many things over the years, as it is a piece of wood, but it’s mostly been in storage, in garages and similar places.

I’m astonished that the colors look as good as they do, after 25+ years of abuse.

Anyone from CG remember anything else about this play / painting / the theater kids at High School in the early ‘90s?

Facebook Post: 2020-03-26T17:37:36

Many many moons ago, Douglas Hoffman and I booked an experimental show for a couple of touring bands. Unfortunately, the bands had to pull out. At first, The Twins were going to perform… then we were gonna do a webstream… and then… well, here we are.

As we all learn to cope with the New Normal, there are so many things that still need to be done. And as you try and solve new problems like what to eat and what to enjoy, why not order some noms from The Space Concert Club, and check out all the incredible live streams that people are doing, all over the web today. I might do a little Mini-Mutations jam later, if enough people are interested, but I’ve been doing a lot of streams lately. I’ll leave it to a vote: should I stream tonight?

In the meantime, support The Space, get some vegan food, and when all of this is done, The Olsen Twins Ghostlight Ensemble will make an appearance at The Space Concert Club, and it will be glorious.

And you’ll probably be able to stream that one, too. Because that’s how they roll.

Thanks again Order Space Food. Support Local businesses. And vote: should I stream a Mini-Mutations jam later?

Facebook Post: 2020-03-25T11:30:18

The best part of having the studio setup now is that I can EASILY digitize tapes, and it can be done while I’m doing something else. I can pop in a tape, set it to digitize, do some dishes, read some comics, and when I hear the “click,” I turn around, hit stop, flip the tape over, and repeat.

This is not a project I hope to complete any time soon; I have FAR too many tapes, and really, most of them don’t really need it. But I’m selectively targeting mix-tapes, live recordings of performances, and stuff that I can’t replace anywhere else anyway else. Even that project will take a VERY long time, but at least I can listen to those mix tapes Cheryl Albrecht made for me almost 20 years ago.

Facebook Post: 2020-03-24T18:25:16

The non-chore part of the day – in fact, a significant part of the day, really – was spent trying to record a song, which was one of those experiments that revealed the limitations of my home studio set-up, and my own skill in certain areas (and, of course, became a metaphor in so many, many ways).

Take after take was blown, as if I’ve never heard or seen a bass before, and was discovering how you could play it (and record it) as I was going. And let’s not forget the technical issues! Perfectly good takes went un-recorded, other’s were so poorly captured as to be embarrassing, as a wanna-be engineer. It was so hard to solve for certain issues I kept running into, and each solution deployed was not working. It became one of those puzzles that was so difficult to solve that at one point I had stop and clean my garage, and then later, stop again and take a nap, just to get a couple break from what was frustrating me. I almost tore down and re-built the entire studio, until it finally occurred to me that there was probably a short in one of my cables that was the real issue. (And, of course: it was.)

And, in the end, I actually finished the basics for the song, so it might work out, and maybe I can just relax and let it go, given enough time. It was trying while it was happening, but it was over now, and maybe I have something I can work with.

But for most of the day, it felt like it wasn’t gonna work, and that every action I was taking was not helping, and occasionally, making things much worse. Everything that could go wrong was happening, in spite of the best preparedness efforts I would deploy, or long considerations I would make before each attempt. I probably should have given up sooner; I could have finished cleaning the garage, or maybe put in some reading. But instead, I kept banging my head against the metaphor, trying to solve the problem, and not succeeding for most of the time I was working on it.

Certainly, I can hear the final product, and hear the time I put into it. So it’s not like I feel like the time was lost or something. I think I can put in some more work on it tomorrow, and maybe all the things that didn’t work today will start to feel like simple hours put in, and effort toward turning things around, and setting things on the right path.

Right now it feels like a sort of defeat. Tomorrow, it will probably feel like hard work. In a week, all I’ll remember is that it took me a few days to get that one song “right.”

At least, that’s the hope, anyway. Right now it’s depending on a whole lot of faith, which doesn’t always feel like enough. And it isn’t, in the moment. In the moment is hard, and it sucks, and you can’t change that.

All you can do is wait.

Facebook Post: 2020-03-23T14:59:33

“The first example of interactive cinema was ‘Kinoautomat’ (1967), which was written and directed by Radúz Činčera. This movie was first screened at Expo ’67 in Montreal. A live moderator appeared on stage at certain points to ask the audience to choose between two scenes. The chosen scene would play following an audience vote.”

Facebook Post: 2020-03-22T22:44:37

I get the Johnny Appleseed song (from the Disney movie “Melody Time”) stuck in my head a lot. When the song pops into my head, the lyrics are:

“Oh, the Earth is good to me
and so I thank the Earth
for giving me the things I need
The sun and the rain and the apple seeds
Oh the Earth is good to me.”

It seemed really DIY, but also had a bit of that bootstrap mentality to it that Disney loves so much. I liked the ecological angle, and it is a catchy tune.

I hadn’t seen that cartoon in over 30 years years. So I put it on tonight, living in the modern era where everything is easy to watch anything. And I came to discover the song I remembered was completely different. I had replaced, in my mind, the word “Lord” with “Earth.”

I don’t know why, how, or when, but I somehow eliminated the Christian message from this story. (A story that is, in its original form, a very Christian tale.)

Clearly — how’s that saying go? — my mind works in mysterious ways.

Facebook Post: 2020-03-22T15:38:31

Last Sunday was my last “normal” day. After that, we’ve been “at home,” except to run errands / stock up. (Which has been very minimal.)

I’ve also managed to clean every room in the house, sweeping, mopping, the whole works. Cleaned the fridge, and my office.

Once the garage gets cleaned, and the yards are done, I might be in trouble. Or, rather, you will be: I’ll probably have a new radio show every day at that stage.

Facebook Post: 2020-03-21T08:59:07

For several years now I’ve had a ridiculous number of velcro wraps, so I can tie up cables and whatnot at shows, or at home, when I want to tie up a cable, or pin down something behind a stereo or TV.

My real concern right now is that I will have tied down every cable and wire I can find, save for one that I don’t have enough velcro for.

Facebook Post: 2020-03-21T08:55:06

I am stubborn. I am opinionated. I get into arguments online with people I don’t agree with. I am anti-corporate, anti-money, anti-closed-mindedness. I am anti-bland. I’m critical of art and performance and the expressions and the utterances of the world around me. My art is expressly political, and yet my own skills serve no political or activist function. I am a contradiction in so many, many ways.

But knowing all of you sharpens me, like a knife, and for that I am absolutely grateful.

Knowing you makes me patient. Knowing you helps make me more understanding. Knowing you shows me how silly arguing can be, and how defining myself by what I’m against is a narrow way of expressing ones self. Knowing you allows me to enjoy the moment, rather than move to consider the past and future obsessively. You help me see my own place in the world, and how I do make an impact, even when I don’t feel like I can.

I might be contradictory and inexplicable, pretty much all of the time, but it’s knowing you that allows me the chance to feel like I belong.

And for that, I thank you. So very, very much.

New Studio

Here’s what I did today: tore down my office tables and gear entirely, and built a little home studio.

I’ve certainly worked in / broadcast from worse locations, so meet the new Lava Lamp Lounge – Studio A. Since I’m not doing any live shows for a while, and since my own “home studio” is essentially any flat surface I set up on to record, I decided to use those turntables that kiisu gave me, and make this my home for the foreseeable future. (And: beyond?)

The iPad can be traded out for any other 1/8” jack device. I can also have a cord to swap out devices that need RCA and 1/4” jacks, too. I have a mic-stand / microphone that I can fly in, to use for situations like that. Tapes, CDs, records and digital… right now, I can play almost anything, and I even have that 16 Speed turntable and a reel to reel player I can hook up, if need be. (As I’ve said before: I dare someone to record a song on a format I can’t play.) It’s not ideal, certainly, and I don’t have real monitors or a real studio mixer. But it works, and I can swivel my chair around, stand up, and it’s there, ready to go. 

This will be where all future radio and podcasts are created and recorded, and it is also the same setup I use to perform live, with extra gear I usually can’t bring to shows. (Two turntables is just too much for the stage, given the space it all takes up.) So I can probably stream live, too. 

I haven’t figured out how to get the streaming sound quality to be as good as the recordings, and I think I might need some more sophisticated cameras / mixers / etc to really pull that off. (Possibly a second computer to manage taking the signal from the mix and putting it through to the streaming camera.) I’m pretty sure I can take calls and / or Skype too, but its not as easy as, “I hear the phone ring and I push a button and the caller is on the air.” I would probably have to hot-swap a couple of items to make it work, and I’m not sure I could mix music behind the call very easily, like I can do at a pro studio. I will be able to add delay or reverb, which will be fun.

It’s a start. I may try some broadcasting later, just to see how it works in practice. For now, you will have to settle for “room sound” on the stream when I do, until I can figure out how the pros do it.

(Also: anyone sitting on any old radio / studio gear that they need to part with? I could certainly use an actual studio board, or something a little beefier than my tiny six channel Behringer. Anyone wanna donate anything to the new studio?)

Hopefully this will help me get through feeling crazy for… however long this winds up being. 

Broadcasting

Artists and friends: Where are we with streaming services and delivering your work to fans? I have only ever used FB streaming, but it is decidedly “one-way,” and they get cranky about copyright. (Ditto for IG, but at least there you can have two-way interaction fairly easily. Can you add more than one person on IG, I wonder?)

I use Skype for straight conversations, and I have only ever used it for recording / playback, never for a live show. It seems like it might work, but I’m not sure Skype is ideal for a streaming / broadcasting service.

Marla used Zoom the other day, but it sounds like someone needs to either pay for the service, or have credits of some kind, to use it. But that allows any number of users to all interact, and I imagine there are other’s that don’t cost.

What I’m looking for: a free two-way (at least) service that I can use to send video / audio to any number of people easily (and publicly). I would also like to be able to “add” callers / viewers to the stream, and receive / capture the incoming audio so I can mix it into the show.

Preferably, I’m looking for a software / computer solution, and not a phone app, but I’ll be curious what anyone uses, and for what, regardless of the tech.

I’m almost to the point where my office is clean / re-designed, and I want to start broadcasting as soon as I am able. I have turntables, tape decks, and CD players (in addition to a number of digital options), so I feel like this would be a good time to get into regular broadcasts again. What are people using?

Facebook Post: 2020-03-20T08:40:46

It’s not surprising, but still, more signs of change as all of this shakes out. I’ll certainly miss the idea of the alternative weekly paper. Probably time to invest in a printing press.
https://www.niemanlab.org/2020/03/total-annihilation-coronavirus-may-just-be-the-end-for-many-alt-weeklies/?utm_source=Pew Research Center

Unreasonable Opinions. 

I have a lot of unreasonable musical opinions. “I can’t stand arias. All country music after 1975 is crap. Shellac is good.” We’re all guilty of it, and we all say the most extreme inane untrue bullshit, partially informed by taste, and largely informed by how we FEEL at the moment.

What kind of unreasonable music opinions do you have? 

 

Facebook Post: 2020-03-19T07:28:22

I have a lot of unreasonable musical opinions. “I can’t stand arias. All country music after 1975 is crap. Shellac is good.”

We’re all guilty of it, and we all say the most extreme, inane, objectively untrue bullshit, partially informed by a highly cultivated sense of taste, but largely informed by how we FEEL at the moment we are talking about that particular musical expression.

What kind of unreasonable music opinions do you have? I’m sure there are plenty of fun ones out there.


“Miller: A lot of people don’t realize what’s really going on. They view life as a bunch of unconnected incidences and things. They don’t realize that there’s this, like, lattice of coincidence that lays on top of everything. Give you an example, show you what I mean. Suppose you thinking about a plate of shrimp. Suddenly, somebody says, like, plate, or shrimp, or plate of shrimp. Out of the blue, no explanation. No point looking for one, either. It’s all part of the cosmic unconsciousness.

Otto: You eat a lot of acid, Miller? Back in the hippie days?

Miller: I’ll give you another example. You know the way everybody’s into weirdness right now. Books in the supermarkets about Bermuda triangles, UFOs, how the Mayans invented television. That sort of thing.

Otto: I don’t read them books.

Miller: Well, the way I see it, it’s exactly the same. There ain’t no difference between a flying saucer and a time machine. People get so hung up on specifics. They miss out on seeing the whole thing. Take South America, for example. In South America, thousands of people go missing every year. Nobody knows where they go. They just, like, disappear. But if you think about it for a minute, you realize something. There had to be a time when there were no people. Right?

Otto: Yeah. I guess.

Miller: Well where did all these people come from? Huh? I’ll tell you where. The future. Where did all these people disappear to? Huh?

Otto: The past?

Miller: That’s right! And how’d they get there?

Otto: The fuck do I know?

Miller: Flying. Saucers. Which are really? Yeah you got it: Time machines. I think a lot about this kind of stuff. I do my best thinking on the bus. That’s how come I don’t drive, see.

Otto: You don’t even know how to drive.

Miller: I don’t want to know, I don’t want to learn. See? The more you drive, the less intelligent you are.”

Facebook Post: 2020-03-18T17:52:43

“Miller: A lot of people don’t realize what’s really going on. They view life as a bunch of unconnected incidences and things. They don’t realize that there’s this, like, lattice of coincidence that lays on top of everything. Give you an example, show you what I mean. Suppose you thinking about a plate of shrimp. Suddenly, somebody says, like, plate, or shrimp, or plate of shrimp. Out of the blue, no explanation. No point looking for one, either. It’s all part of the cosmic unconsciousness.

Otto: You eat a lot of acid, Miller? Back in the hippie days?

Miller: I’ll give you another example. You know the way everybody’s into weirdness right now. Books in the supermarkets about Bermuda triangles, UFOs, how the Mayans invented television. That sort of thing.

Otto: I don’t read them books.

Miller: Well, the way I see it, it’s exactly the same. There ain’t no difference between a flying saucer and a time machine. People get so hung up on specifics. They miss out on seeing the whole thing. Take South America, for example. In South America, thousands of people go missing every year. Nobody knows where they go. They just, like, disappear. But if you think about it for a minute, you realize something. There had to be a time when there were no people. Right?

Otto: Yeah. I guess.

Miller: Well where did all these people come from? Huh? I’ll tell you where. The future. Where did all these people disappear to? Huh?

Otto: The past?

Miller: That’s right! And how’d they get there?

Otto: The fuck do I know?

Miller: Flying. Saucers. Which are really? Yeah you got it: Time machines. I think a lot about this kind of stuff. I do my best thinking on the bus. That’s how come I don’t drive, see.

Otto: You don’t even know how to drive.

Miller: I don’t want to know, I don’t want to learn. See? The more you drive, the less intelligent you are.”

Three-Way Split!

It’s a new release for the spring, with new music from all your favorite Experimental Artists.

Three new tunes by Bast Awakening! (Ellen & Chris)

A new jam by DEATH MUTATIONS. (Chris & Myself)

…and…?

Over an hour of new music, and it can only be yours, easily, if you want it. Not available for download (yet), if you must have this, you’ll also need a CD Player.

Hand made music! Discs assembled and duplicated, with covers cut / folded / stapled by hand! Limited to 50 copies! Reversible covers allow you too present this disc in four different ways!

It’s the WTBC Three-Way Split! Get yours today!

Lessons From D&D

This common bit of wisdom from my early days as a young gammer has been on my mind a lot lately – “Health Is A Team Resource” – and I’m surprised that someone else hasn’t already made a meme.

This was, of course, advanced thinking to a lot of gamers. So many are focused on just themselves, and so they don’t consider the health of others. Often, these kinds of characters don’t last long. They don’t know how to act as a group, and so they often die under embarrassing circumstances. Largely because they didn’t put the group over their own desires.

Here’s my take on a meme for our time.  I have a feeling someone else could probably do something a little more concise, but at least the sentiment is there.

Settle Your Debts

The Ides of March was upon us, and rather than cower in fear – which seems to have been what we should have done – The Olsen Twins Ghostlight Ensemble convened for a Sunday morning recording session that just so happened to tickle our fancy. Hopefully, you enjoy this one, too.

This arrangement includes: Scott Eave (Guitar, Woodwinds), Kevin Van Walk (Drums) & Austin Rich (Ronald’s Luggage / Electronics / Synths).

The Lava Lamp Lounge has been a nice room to host a number of folks, and this particular arrangement is very nice. It sounds good, and I think we play well in this space. And this might be the primary way you hear us from now on, so we’ll continue to iron on the way we present these to you. Maybe we can improve the camera stuff in the future? Hard to say.

Perhaps you can pick up this recording, and help keep us in new strings and cables? It’s really our primary expense, and we want to keep bringing this to you, somehow.

Mail Call

I’m assembling packages / mail to go out. If you ordered a t-shirt, a zine, or are in any of the music exchange groups, and you are expecting something, it should be in the mail by the end of the day.

Did I overlook you? Do you want some mail art? Or, even, just a letter in the mail? I’m not sure if we should worry about costs at this time. Let’s just make sure the people who want something in the mail are getting it.

I’m happy to send you something. No one needs to suffer from the “no mail” blues.

It’s funny how slow social media is when social distancing was enforced. 

untitled by Austin Rich
untitled by Austin Rich

A lot has changed in a few days.

I hope I can change enough myself to keep up.

I’m considering hosting some organized streaming events, to give us something to do with this technology we all have in our pockets.

It would probably have a host who organizes the event and manages a calendar of who is doing what when. The host would DJ and introduce the performers, tell people where the next stream is and how to find the music to purchase, etc. And then you could have performers log on throughout the show, and do their thing.

If nothing else, it would incentivize a lot of us to clean our offices or practice spaces.

Welcome To Apocalypse

When I discovered punk rock in the early ’90’s, one of the things we talked about was how we were living in the apocalypse already, and the rest of the world hasn’t yet caught up. (Cathead even had a song about it, of which this is the best recording.) Most subculture seems to have been “hip” to the notion that all of THIS <waves hands around our civilization> could just <snaps fingers>, and then we would have to live with what it’s like when people stop being nice and start being… well, untethered to cultural references, anyway.

So, there is a tiny part of me — a very, very small part, I should underline — that feels like I’ve seen this coming for 20 years, at least. The writing was on the wall when The Ramen City Kid and I realized that Eugene was no longer viable, and as we looked around, all of our options were… bad. The punk in me always knew that all of this was temporary, even the rock and roll paradise that Portland seemed to be when I got there.

Anyway, in light of this crisis — this very real, very bad, and very-likely-to-have-LONG-TERM-consequences-that-we-have-not-really-fully-thought-through crisis — there is a part of me that keeps thinking, “Well, how is this different from how punks and weirdos have always seen the world?” We’ve been catastrophizing everything for decades, screaming at walls and coloring our hair as brightly as possible, to try and wake all of you up into looking past what you expect to see.

It’s like, the rest of the world needed this many catastrophes and crises to happen before they finally see the world the way punks do.

Welcome To Apocalypse

Facebook Post: 2020-03-15T22:24:28

When I discovered punk rock in the early ’90’s, one of the things we talked about was how we were living in the apocalypse already, and the rest of the world hasn’t yet caught up. (Cathead even had a song about it, of which this is the best recording.) Most subculture seems to have been “hip” to the notion that all of THIS could just , and then we would have to live with what it’s like when people stop being nice and start being… well, untethered to cultural references, anyway.

So, there is a tiny part of me — a very, very small part, I should underline — that feels like I’ve seen this coming for 20 years, at least. The writing was on the wall when The Ramen City Kid and I realized that Eugene was no longer viable, and as we looked around, all of our options were… bad. The punk in me always knew that all of this was temporary, even the rock and roll paradise that Portland seemed to be when I got there.

Anyway, in light of this crisis — this very real, very bad, and very-likely-to-have-LONG-TERM-consequences-that-we-have-not-really-fully-thought-through crisis — there is a part of me that keeps thinking, “Well, how is this different from how punks and weirdos have always seen the world?” We’ve been catastrophizing everything for decades, screaming at walls and coloring our hair as brightly as possible, to try and wake all of you up into looking past what you expect to see.

It’s like, the rest of the world needed this many catastrophes and crises to happen before they finally see the world the way punks do.
https://wtbc.bandcamp.com/track/welcome-to-apocalypse

Facebook Post: 2020-03-15T17:07:27

I have a portable streaming camera setup, that I use quite often for my own events. All I need is a power outlet and wireless access and I am good to go.

Filming remotely and uploading later is also possible.

So, if you are wanting to perform during this period of uncertainty, and you are well, let’s talk. Maybe that show that was canceled can get out there another way.

Deliberation

[untitled] by Austin Rich
A more or less full day ahead of me. Olsen Twins Ghostlight Ensemble rehearsal early, and closing Salem Cinema tonight. Current virus and panic concerns sort of throw a little wrench into things. Who knows what today will hold? Perhaps there will be a live stream?

Sometimes, I want to put everything on hold and just do nothing for a few days. But the moment I sit down to take a break, I just start working instead.

If only I knew how to relax.

Mental Health Improvement Diary

I did some backing up.

And something thinking.

I watched a movie with Marla that we both knew pretty well. On the whole, it was pretty casual.

I spent the day making merch. It’s looking good. You want one?  Message me. There’s a limited quantity, and I want the people who will like this to get it. It’s a three-way split CD, Bast Awakening (Ellen & Chirs), DEATH MUTATIONS (Chris & Myself) and Mini-Mutations. All the primary work is done. All that was left was the printing, disc duplicating, folding, and assembling.

And, of course, thinking about how I want things to look, and where I want things to be, in the future.

 

Facebook Post: 2020-03-13T16:30:53

Well, fuck it. Everything is a mess, the sky is falling and I want my mommy, and there’s nothing left to do but drown sorrows. There’s ample hand washing stations at The Space Concert Club, and if nothing else goes too much more wrong between now and 8 PM, you will find me there. And again, if all continues to go well, Red Panda Death March will be releasing their cassette, that I had the pleasure of mixing and mastering for them in the ancient days of late 2019.

There’s three other bands on the bill, too, and we can all stand about six feet from each other and scream into the abyss along with each other. Maybe if things are loud enough, everything will be fine?

Facebook Post: 2020-03-12T18:50:36

No Basketball, no Baseball. What will we do?

Guess it’s time to earnestly reflect on what we want from this universe and decide how we want to re-organize everything socially and politically after this calamity passes.

Or something.
https://www.latimes.com/sports/story/2020-03-12/mlb-suspends-spring-training-indefinitely-coronavirus-pandemic

Facebook Post: 2020-03-12T16:19:21

This is why we can’t have nice things.

How much, per person, could we have each gotten instead of the FED doing some lame version of a Cards Against Humanity joke, where they just throw money in a hole?

I’m betting a fairly substantial amount, when all is said and done.
https://www.wsj.com/articles/fed-to-inject-1-5-trillion-in-bid-to-prevent-unusual-disruptions-in-markets-11584033537

Facebook Post: 2020-03-10T13:17:06

As a child, I saw this movie, and loved it. But I couldn’t remember the name for years. All I remembered is this scene (51:22 through 56:30). As I remembered it, they stare at a dogfood can and have a brief (and funny / interesting) epiphany, but the details of it were lost to me with time, even by my early 20s.

I figured out what the movie was, about 10 years ago, through some furious googling, and discovered it was on YouTube. I scanned though the film, just to make sure it’s the same movie. It was, so I satisfied myself, and left it there.

But, out of a fear of it being less than I remember, I decided it wasn’t worth finding out if this scene, or if any of this movie, was as good as I remembered. But today I watched just this clip, out of curiosity as to what the characters actually say.

Woah.

Apparently, this is a Japanese interpretation of an American children’s novel, and according to the author of the novel, this scene – sort of the centerpiece of the philosophical perspective of the book – “mangles” the ideas of the book.

So, imagine my astonishment, as I watch this scene, and I’m shocked to see so much that I latched onto as a young man, laid bare by this scene. It has a lot of the “DIY is the only way / no one will ever help you until you help yourself” attitude that I still believe to some degree, but it’s delivered in this strange metaphor, tucked away in this kids movie from my early childhood.

Perhaps it speaks a little more to me than it should, or even will, to anyone else.

But I’m having some profound ruminations this afternoon, and I feel the urge to listen to more Bonzo Dog Doo-Dah Band than I usually put on this time of day.

Facebook Post: 2020-03-10T09:55:02

I THINK you might want to come out to this show this week, as this is gonna get pretty raucous, and will be a lot of fun. I believe that Red Panda Death March will be releasing their new tape, which was mixed by… me! (And I think it sounds pretty good.) But the rest of this show is pretty dope. If you like hardcore and punk, you may want to make an appearance at The Space Concert Club this Friday.

Facebook Post: 2020-03-09T10:17:25

Here’s more from the continuing “mental health improvement” front: a new release from three of your favorite NW noisemakers. This is the second installment in the “Bast Awakening / DEATH MUTATIONS” series of split releases, and this one has a bonus track by Mini-Mutations. Assembled, printed and duplicated by me, limited to 50 numbered copies. The covers are reversible, and offer four different ways you could present this disc to your collection. This release is for a mail-order club, and is not available digitally (yet).

If you would like to get one, contact me soon. 50 copies goes fast.

It felt good making this. Maybe that’s the first step.

Facebook Post: 2020-03-08T20:50:18

Things I Don’t Understand That Everyone Seems To Love:

10.) Seinfeld
09.) Capitalism
08.) It’s Always Sunny In Philadelphia
07.) Rick & Morty
06.) Why Everyone Is So Concerned About Spoilers
05.) Listening To Pandora
04.) Shaved Coconut
03.) Getting The Same Kind of Relaxation Out of Yoga & Meditation That Others Rave About
02.) Howard Stern
01.) Reddit