An Interview With LEZET mentions… Mini-Mutations?

This is something very pleasant, and unexpected, that I only just heard about, and that I find very exciting.

I was recently name checked in an interview by Cian Orbe Netlabel (a Netlabel from Rancagua, Chile), with Serbian experimental artist LEZET. What a wonderfully strange, international confluence of events. And, fortunately, you can read the entire interview, in English, here: Interview with LEZET (6 December 2020).

So, dig this big crux: one of the strange up-shots of the pandemic has been the simultaneous isolation of a number of artists, all over the world. So through mutual friends we each have in Hal McGee (and his “Electronic Cottage” group online), we were both recruited to work on a compilation produced by {AN} EeL, which featured a wide range of artists being paired off to create work together. The results are “Two Halves Vol. 7,” which features 18 tracks by 36 different artists, all producing collaborative tracks. For this project, {AN} EeL paired myself and LEZET, who I was unfamiliar with at the time. But, in working on this track, and then through being more aware of their work through {AN} EeL and Hal, I’ve become quite fond of LEZET’s work.

The track we produced together is called, “Riverside Hop Scotch Game,” and you can hear it here:

It was incredibly easy working with LEZET. They mailed me some recordings, without much conversation about what to do with them, or how we wanted to work. We had initially discussed the possibility of LEZET following the muse, and having me coming in to flesh out the track afterwards, but it’s hard to recall that conversation exactly. What I do remember is that when I received the tracks, I immediately heard where my accompaniment would fit in, and very quickly we had a finished tune.

We submitted the track, and I didn’t think much more about that specific song until the comp came out. And it was very cool, not only to find that our track was very early in the running order, but that the entire collection was very, very cool. (I’ve included the entire thing below.

I would have thought that would be the end of it. We both had other projects, and while I was following LEZET’s work with interest, I didn’t imagine I’d get mentioned in an interview like this.

In the question, “Which are your favorite music projects who inspire your work?” Mini-Mutations gets a mention, along with a whole mess of other great artists, too. I feel like I’m in very good company on that list, and I’m sort of nervous about having to live up to the quality of the other artists on this list.

I did a lot of collaborations this year, and in a way, the album I did sort of got lots in the shuffle, as it was packaged with a zine. Between that and other non-musical projects, this has been a very a-typical year for both myself and Mini-Mutations. But it is very inspiring to know that people like LEZET are enjoying the journey, as we both feel out what to do in the coming year.

2020 has been wild, yo.

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